Scholarly Publications

2013

“A is for Activist,” Spanish adaptation by Martha Gonzalez. Author: Innosanto Nagara. Seven Story Press.

“Mixing in the Kitchen: Entre Mujeres Feminine Translocal Composition.” Performing Motherhood. Ontario, Canada. Demeter Press (Accepted for publication).

2012

“Imaginaries,” Liner notes, co-authored with Russell Rodriguez for Quetzal, Smithsonian Folkways Recordings.

2011

Intersectionality in Context: Three Cases for the Specificity of Intersectionality from the Perspective of Feminists in the Americas,” co-authored with Rebecca Clark and Sara Diaz for an anthology as a result of the International Conference for Young Academics titled Race, Class, Gender as categories of difference and inequality: Which Perspectives Arise from the Concept of ‘Intersectionality’ for Human and Cultural Sciences? CIERRA /University of Erfurt. Paris, France (in press).

“Sonic (Trans) Migration of Son Jarocho Zapateado: Rhythmic Intention, Metamorphosis and Manifestation in Fandango and Performance.” Ethnic Identity Politics, Transnationalization, and Transculturation in American Urban Popular Music: Inter-American Perspectives. Eds. Wilfried Raussert and Michelle Habell-Pallan. Trier: Germany, Wissenschaftlicher Verlag Trier (WVT).

2007

“Zapateado Afro-Chicana Fandango Style: Self-Reflective Moments in Zapateado,” in Dancing Across Borders: Danzas y Bailes Mexicanos. Ed. Olga Nájera-Ramírez, Norma Cantu, and Brenda Romero, Chicago: University of Illinois Press.

2008

Excerpt from book chapter: “Zapateado Afro-Chicana Fandango Style: Self-Reflective Moments in Zapateado,” in Dancing Across Borders: Danzas y Bailes Mexicanos.” In Dance Gazette. Royal Academy of Dance. June.

2009

“The Seattle Fandango Project.” Co-authored with Professor Shannon Dudley.

Harmonic Dissidents Magazine. March. http://www.harmonicdissidents.org/?page_id=463